4.9 The speed of sound — same number, four meanings

Four routes, four derivations, one wave equation:

t2p  =  c22p.\partial_t^2 p' \;=\; c^2\, \nabla^2 p'.

But cc itself has four different forms — the same number, but with different physical content depending on which route you came in on:

RouteFormReads as
1 — fluid mechanicsc2=(pρ)sc^2 = \displaystyle\left(\frac{\partial p}{\partial \rho}\right)_sadiabatic compressibility
2 — latticec2=K/μc^2 = K / \mubulk modulus over linear density
3 — kinetic theoryc2=γkBTmc^2 = \displaystyle\frac{\gamma k_B T}{m}thermal molecular speed × γ/3\sqrt{\gamma/3}
4 — Hamilton’s principlec2=c^2 = coefficient in L\mathcal{L}the “stiffness” of the field

For air at 20°C they all evaluate to 343343 m/s. They are all the same constant — the same physical cc — just labelled differently.

What each route teaches about cc

Numerical sanity

Plug in:

c  =  γRT/M  =  1.48.314293/0.029    343m/s.c \;=\; \sqrt{\gamma R T / M} \;=\; \sqrt{1.4 \cdot 8.314 \cdot 293 / 0.029} \;\approx\; 343\,\text{m/s}.

A useful rule of thumb: c331+0.6TCc \approx 331 + 0.6\, T_\text{C} m/s, where TCT_\text{C} is air temperature in Celsius. At 0°C, c331c \approx 331. At 30°C, c349c \approx 349. The variation is small but enough to matter when comparing two sources at different temperatures, or measuring a tube length to better than 1%.

What is not in this number

The speed of sound we derived is linear, non-dispersive, adiabatic, and isotropic. It is what air does for small-amplitude sounds at audible frequencies, at one temperature, in one direction. It will need corrections for:

For the rest of this book, until we explicitly relax these assumptions, cc is one number for one medium.

What we have at the end of chapter 4

The acoustic wave equation, derived four times, with the speed of sound as a well-understood parameter. From here on, the book studies its consequences: how the wave carries energy (chapter 5), how it is emitted by sources (chapter 6), how it interacts with boundaries (chapter 7), what its frequency content looks like (chapter 8), what changes when the medium moves (chapter 9), and where the linear theory finally breaks (chapter 10).

We have built the foundation. The chapters that follow are the building.